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Law student Jessica Linley wins Miss England title

A law student from Nottingham faces a showdown with the world's most beautiful women after being crowned Miss England 2010 today.

Jessica Linley, 21, fought off the charms of nearly 60 other English hopefuls at the annual beauty pageant in Birmingham.

The statuesque blonde - who wants to be a solicitor - will now represent her country at the Miss World contest in China next month.

Ms Linley beat Jamie Lee Faulkner, also 21, from Rotherham, South Yorkshire, who competed as Miss Champneys, into second place.

And 18-year-old model and aspiring actress Amy Jackson, representing Liverpool, came third.

Ms Linley, who is 5ft 11ins, is studying law at Nottingham University, where she is also treasurer of the law society and finance officer for the Athletic Union.

Before last night's final, she said if picked as winner she would take some time off university "so I could give everything I have" at the Miss World contest.

"I want to do the best by everybody and truly make a difference to peoples' lives," the student added.

Judges at the Miss England ceremony included former winner and reality TV star Danielle Lloyd, and Coronation Street actor Ryan Thomas.

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A smile may not mean your baby is happy

If you want to tell whether your baby is in pain, looking at its face may not be enough, researchers have found.

Generations of mothers have depended on their baby's facial expressions to tell them what they are feeling. But a study has found that giving a baby a spoonful of sugar before an injection or blood test may alter its expression without lessening its pain.

The finding casts doubt on whether we can really know what a baby is feeling from observing its responses – and on the decade-old practice of using sugar as a pain reliever for infants.

Until the 1950s, doctors thought babies did not suffer pain because their consciousness was not sufficiently developed. The normal pain responses – grimacing and crying – were dismissed as reflexes. Babies subjected to surgery were given anaesthetics to put them to sleep but not analgesic drugs for the pain, as children and adults were.

In the 1970s, a definitive study showed babies did benefit from analgesia. But as it is difficult to test them on babies, few drugs are available.

Giving a teaspoonful of sugar solution to babies was thought to relieve pain based on the way it reduced grimacing and crying after a painful procedure. It is believed to stimulate the production of "endogenous opiates" – the body's own natural pain-relieving drugs – and has become standard practice before blood tests and similar procedures. Some doctors maintain the evidence is now so strong that it may be unethical not to use it.

But doctors at University College Hospital in London who measured brain activity in babies subjected to a painful procedure – having their heels pricked to obtain a drop of blood for testing – have found that even when they did not cry or grimace there was still a "pain response" in their brains.

The authors of the study, published in the Lancet, suggest that the sugar solution could inhibit the normal responses of grimacing and crying by giving the baby something else to focus on, even while brain activity suggests there is pain. "Sucrose seems to blunt facial expression activity after painful procedures but our data suggest that it does not reduce direct [pain] activity in central sensory circuits, and therefore might not be an effective analgesic drug," they say.

Judith Meek, consultant neo-natologist at University College London Hospital and joint author of the study, said: "When you give the sugar solution to babies they do look dreamy. Most likely it is a distraction but it doesn't affect the pain. There are other ways to distract babies – cuddling or feeding them – which may be more effective.

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Rudisha breaks 800m record again

Kenya's David Rudisha lowered the 800 metres world record to 1min 41.01sec in Rieti in Italy yesterday, just a week after first breaking the record.

The 21-year-old, who broke the record that had stood for 13 years in Berlin eight days ago, when he ran 1min 41.09sec, powered down the home straight at the IAAF World Challenge meeting to better that mark easily.

Denmark's Wilson Kipketer set 1.41.11 in 1997 in Cologne, Germany, but Rudisha has suddenly ripped up the record books twice. Last year at Rieti he had told the crowd he would "return to do something great".

Rudisha, who made a surprise semi-final exit at the Berlin World Championships last year, is the son of Daniel Rudisha, who was a member of the 4x400m Olympics silver-winning relay team in Mexico City in 1968.

The small city of Rieti, near Rome, has a long heritage of hosting record-breakers, and Jamaica's Nesta Carter also ran the joint-fastest 100m this year to win the final in 9.78sec, equalling Tyson Gay's time at the London Diamond League meeting earlier this month.

The American Ryan Bailey and Jamaican Mario Forsythe ran personal bests of 9.88 and 9.95 for second and third while France's European champion, Christophe Lemaitre, set a national record of 9.97sec in fourth place.

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Is Mary Bale the most evil woman in Britain?

Mary Bale: we all know someone who looks a bit like her. The greying cropped hair, the loose-fitting clothes, the ambling figure of a care-worn bank clerk. What we didn't know until now is that, lurking behind the pleasant appearance of this familiar high street figure lies a monster, capable of carrying out an act of indefensible cruelty.

This was the revelation made by The Sun on Tuesday when it published CCTV pictures showing Ms Bale walking down a quiet road and befriending Lola the tabby cat, before dumping her in a wheelie bin where she stayed trapped for 15 hours. Columnists and outraged Facebook users have struggled to work out what was going through Ms Bale's mind, and she herself has described it as "a split second of misjudgement that has got completely out of control".

There have been death threats, inevitably, and there are already wheelie bin jokes – the council wants to fine her for using the wrong bin – and Max Clifford will shortly announce plans for a five-figure book deal, provisionally titled "Bin There, Done Cat".

But for all its appearance of prime silly season folly, the story of Mary Bale has shone a spotlight on some of the weirder truths of British life today. People really do have CCTV trained on their bins, it seems.

We hasten to answer our headline with a firm no: Mary Bale is not the most evil person in Britain. Acts of mindless cruelty are committed against animals and children every day: if this had been a 14-year-old in a hoodie, would Lola's owners have bothered to post it on YouTube? Of course not.

But as with the case of "that bigoted woman" Gillian Duffy, it has taken an ordinary member of the public to shatter the matrix of what is meant to happen, accidentally revealing a lot more than she could ever have imagined. "It's just a cat," said Ms Bale on Wednesday. How wrong could she be?

Who actually has CCTV cameras trained on their bins?

More people than you'd think. According to the electrical retailers Maplin, sales of home CCTV equipment jumped by 70 per cent between 2007 and 2008 in the UK's biggest urban areas. A recent Which? poll suggested 2 per cent of dwellings have CCTV, which translates to an astonishing 300,000. Stephanie and Darryl Andrews-Mann, the cat's owners, say they installed CCTV outside their house because their car had been repeatedly hit by careless drivers, and the bin happened to fall into its field of vision.

Isn't CCTV rather expensive?

No. "You can now get a basic one- camera system for £30," says leading supplier Spy Camera CCTV. Police tell victims of vandalism they are powerless to act without evidence, so are encouraging homeowners to install CCTV. "But you are legally required to put a little sign up saying you have CCTV," warns the property expert Ross Clark.

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Margaret Thatcher blocked Soviet aid for striking miners, files reveal

She was the prime minister at the height of her powers, using every arm of the state to crush the striking miners. He was the Soviet heir apparent who had authorised a large donation to help striking comrades in the UK.

Now newly released Downing Street documents have shed fresh light on the relationship between Margaret Thatcher and Mikhail Gorbachev, exposing how Thatcher exerted intense diplomatic pressure on the future leader to successfully block a Soviet donation of much-needed cash to the strikers.

The documents, released to the Guardian after a five-year freedom of information battle, show how the pair clashed during the titanic miners' strike that convulsed Britain in 1984-85.

In October 1984, six months into the dispute, the National Union of Mineworkers was desperate for cash to fund the strike, because a judge had ordered the confiscation of the union's entire assets. The NUM leader, Arthur Scargill, had stepped up efforts to raise cash from the USSR; Soviet miners had responded by donating more than $1m from their wages.

To avoid the cash being seized by the court-appointed official who had been put in charge of the NUM's finances, it had to be transferred clandestinely to the union. The Soviets attempted to transfer the cash to an NUM bank account in Zurich, but it, like other accounts, was frozen.

The money bounced back, but Thatcher soon learnt of the manoeuvre and became worried. The proposed donation threatened to derail a planned visit by Gorbachev to Britain to foster better relations between east and west.

Gorbachev was at that time second-in-command of the Soviet Union and tipped to take over when the ailing leader, Konstantin Chernenko, died. The relationship between Thatcher and Gorbachev was beginning to blossom; she would later famously declare him someone with whom she could "do business".

Thatcher wanted to know whether Gorbachev had approved the donation, since the Soviet miners would have needed government permission to convert roubles into foreign currency. Colin Budd, an aide to the then foreign secretary, Geoffrey Howe, also warned in a confidential letter to Charles Powell, the prime minister's foreign affairs adviser, that there would be a "serious political row" if a Soviet coalmine foreman, due to accompany Gorbachev in the official delegation, addressed a rally of striking miners in the UK.

Norman Lamont, then an industry minister and later chancellor under John Major, was instructed by Thatcher to lodge a protest "with some force" over lunch with the Soviet ambassador. According to Budd, Lamont "stressed that the government viewed with great concern the transfer of money from the Soviet Union to the NUM. He said that the Soviet Union must understand that the UK government considered this a very serious matter … He hoped that the Soviet Union would not risk souring the atmosphere" of Gorbachev's forthcoming visit.

The British found the encounter "somewhat unsatisfactory", as the ambassador, Viktor Popov, appeared unmoved. "The ambassador simply maintained that Soviet trade unions were independent and democratic and that the Soviet government was not answerable for their exercise of their rights" to donate to their British comrades.

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Will Self: Bigness and Littleness

Some time in the summer of 1992 I sat down in a four-square and fusty house that my then wife and I were renting in the Oxfordshire countryside and typed these words: "Some people lose their sense of proportion, I've lost my sense of scale." Over the succeeding five days I wrote a section a day of a piece called simply "Scale". Its ostensible subject was the mental disintegration of an opiate-addicted scholar living in a bungalow next to the Bekonscot Model Village in Beaconsfield – and this had obvious autobiographical resonances; but the organising principle of the material was the very perceptual conundrum implied by the opening line. Indeed, while like most writers I mistrust any romantic talk of "inspiration", even at the time I felt that "Scale" was coming to me with a peculiarly deductive fluidity, that each successive sentence seemed logically to derive from that initial and perplexing proposition.

Eighteen years later I find myself on the brink of publishing a second work owing its genesis to my abiding preoccupation with the very big and the very little. The first part of a trilogy of fictionalised memoirs collectively called Walking to Hollywood, this piece, in fact, has the title "Very Little", and while seemingly a flight of – admittedly miserable – fantasy, detailing my destructive relationship with a monumental sculptor who happens to be a person of restricted height, it is in reality as close to a true piece of autobiography as anything I've written.

Why should physical scale so preoccupy me? The most obvious explanation is that I myself am on the large side, as are most of the men from my family. My great-great grandfather, Canon Nathaniel Woodard, founded Lancing College and equipped the school with a chapel that has a nave higher than that of Notre Dame, the biggest rose window in England and a tower that – were it to have been completed – would, at 350 feet high, have rivalled that of Chartres. My ancestor may have been a very High Anglican, but he himself was not a notably tall man – at least not to judge from his stone effigy, which lies atop his tomb, which in turn is lodged in the side of the chapel's humongous nave like a fishbone stuck in the gullet of a whale.

But while genetics necessarily explains stature itself, it hardly seems sufficient to account for a fixation with relative sizes; there cannot be a gene for scale. Besides, my scale shtick goes right back to childhood, when I was as small as anyone. I assiduously collected trolls, doll's house furniture and tiny books such as Langenscheidt dictionaries – little things that I would arrange into tableaux. What pleased me about them was not only their own integrity of scale, but their contrast with the actual-sized world. Needless to say, the works of children's literature that enthralled me were Alice's Adventures in Wonderland and Gulliver's Travels. The latter I would have read only in a bowdlerised children's edition, but the former I was exposed to in all its warped genius.

Carroll and Swift are the English prose laureates of scale – their varying perspectives on the meaning of alterations in scale provide the context within which we can examine those works of visual art that distort and confute relations of size. Swift's Lilliputians and Brobdingnagians are instrumental creations, the intent of which is overtly political and satiric. Whether it is tiny Gulliver being set astride the vast nipples of the Brobdingnagian queen's ladies-in-waiting, or giant Gulliver observing the pathetic war aims of the Little and Big Endians, the human body is being contracted and expanded so that it jibes with the body politic. Swift, of course, antedated Edmund Burke, whose conception of "great objects and terrible" gave birth to the Romantic notions of the psychologised sublime. For Swift, the long view of the Divis and Black Mountain massif from his parish to the south of Belfast, rather than filling him with awe at the sheer scale of nature, or calling forth the reverence accorded big things by the classical philosophers, reminded him instead of the prone form of a giant man, with the easternmost tumulus of Cave Hill forming its nose.

Alterations in scale in Carroll's masterwork are as problematic as the affective impulses of that great lover of little girls. It is Alice who is driven by her desire to enter the Red Queen's garden to effect precipitate alterations in her own size. You don't have to be an ideologically driven Freudian to appreciate that a prepubescent girl's intense desire to shrink enough to enter a narrow passageway leading to a sunlit realm of red roses – with their glossily labial petals – is freighted with sexual symbolism. Perhaps it was the consensual politics of "Wonderland" – a gentle guying of absolutism – that helped blind its contemporary admirers to the weird things its author was doing to the body of a small girl. But it may have been precisely these buried intimations of the sexualised child that gave Alice such growing leverage throughout the 20th century.

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